Loops for Healing | by Jenny Beard.
“Loops for healing”, original was done with oil on canvas 61 x 76cm art by British artist Jenny Beard.
This artwork sells exclusively for The Funky Curator. Limited Edition of 300.
PAPER QUALITY: You can choose between Standard Paper, Enhanced matte art 200 gs. or Premium Paper Hahnemühle German Etching® 310gr 100% cellulose. Hahnemühle German Etching is a traditional mould-made copperplate printing paper, complete with an inkjet coating designed especially for FineArt applications. The white art paper made from 100% alpha cellulose is characterised by its extraordinary velvety tactile feel and its fine, clearly defined felt structure. The unique surface texture adds a very special touch to images, showcasing them in all their splendour with impressive three-dimensional effect and depth.
We use the highest quality pigment inks.
SHIPPING
At The Funky Curator we partner with print labs from UK, Europe and the US. Art will be sent from the closest hub, thus avoiding unnecessary carbon emissions and shipping costs.
SECURE CHECKOUT
At The Funky Curator we care about security and privacy. We use Stripe Payments for our online transactions. We don’t store any customer’s sensible information on our website.
SATISFACTION GUARANTEED
At The Funky Curator We want you to love your art. We are committed to a 100% satisfaction guarantee. If you’re not happy with your order, please let us know at orders@funkycurator.com
Description
Jenny Beard is a British artist working within contemporary painting, and her process is built upon automatic drawing, using digital tools to create and manipulate sketches. Abstract imagery is used to explore optical space, depth, and flatness. The work is open ended and explorative, dealing with the paradox of appropriating abstract marks for abstract paintings. During this mimetic experience, the work could be read as representational.
“The idea of creating an art that self reflectively focuses on and thematizes its own concerns and the correlations of its creation as well as sustaining, at the same time, an open relationship to the world and to meaning as such, came very near to squaring the circle” (Herzog, 1997)
When approaching the work, Jenny is interested in gestures and marks – and when they become signs. Marks are ambiguous, whereas a sign directs us, informs us. Part of her practice involves pushing paint between gesture and sign. What happens if a mark is isolated – If it is scaled up, repeated, or a pattern is made of it?
Digital methods are embraced in Jenny’s practice, but the work is always finished traditionally and meticulously. Painting doesn’t die; instead digital exploration opens up new ways of seeing and laying paint, which creates a refreshing relationship between artist and painting.
Only logged in customers who have purchased this product may leave a review.
Reviews
There are no reviews yet.